I am writing picture books. Or, really, picture book manuscripts as I have yet to have had anything published. It's only called a book after you have published it. I have had several lovely rejection letters, however. Those that say, "I'm sorry to tell you that your lovely manuscript is not the right fit for what I'm looking for. But please keep writing." So, I do. My goal is to write one manuscript per month and send out, at a minimum, three query letters per month for 2025. So far, I have six decent manuscripts, and I'm keeping to my goal of three agents per month.
Writing picture books is hard. There has to be an actual story arc: beginning, middle, and end. You have to have believable, likable characters. There must be action and conflict that gets resolved. You must keep the story within a certain word count. It must also fit on thirty-two pages. AND be written so that both the child and the adult buying the book are interested enough to read it over and over again. It's definitely not for the faint of heart.
Why have I taken on this monumental task? Part of it is the pictures in my head, or the titles that I invariably come up with. They beg to have their stories told. I also ask myself questions that need answers, such as, how would one go about teaching an alligator, who was afraid of water, how to swim? Or, how would a young boy, seeing his grandmother's beloved quilt, go about using it to cope with her death while the adults around him pack away her belongings? These scenarios, and others, play out in my mind until I can get them down on paper and out of my thoughts.
I still do it the old-fashioned way. I write my stories with pen and paper, at least the first draft. Then I transpose it to the computer, making little edits as I go. After that, I'll print out a copy and go at it with my pen, changing, deleting, rewriting, perhaps adding pieces until I'm somewhat satisfied with the second draft. I take that back to the computer and fix the copy there, continuing to edit where I see fit. I'll then print the second copy for people to read and make comments on. That's when I hunt for a freelance editor.
And that's where the money comes in. Freelance editors aren't cheap. I have to save up for them. They start at around $500 and can go upwards of $1200 per manuscript depending on the type of editing you want done. I prefer a full edit with comments, and that can get pricey, which is why I, so far, have only two manuscripts that I've sent out to agents. Eventually, I'll have more.
But to answer the question of why? I write because I believe children need good books to read. I know the focus these days is on LGBTQIA+ and BIPOC and not to take away from those authors, but I still believe children need monsters and talking animals and stories in verse. I believe they need fairytales and concept books like the ABCs and learning their numbers.
I write because those are the stories in my head. Stories of courage, of friendship, of problems to be solved in unique ways. Stories to be told in unique ways. So, while I am not, in any shape, form, or fashion, the next Dr. Seuss, I will keep telling my stories in my own way. Hopefully, one day, they will be enjoyed by generations to come.